Featured Filmmaker Alex Cox
Straight to Hell Returns | Walker | Repo Man
Presented in association with Rooftop Films
FRIDAY & SATURDAY, SEPT 19 & 20
ALEX COX PRESENT FOR Q&A + DISCUSSION
TICKETS | $10/screening + $25 for all three with popcorn!
BasilicaScope, in its second year, runs Sept 19 & 20, 2014, and dedicates its entire run to Alex Cox with his cult classics Repo Man, Straight to Hell Returns, and Walker. A visionary filmmaker who made the 1980s all the more bearable for us, Cox masterfully used pinpoint satire and a rambunctious stable of actors to illuminate the sleazy politics of the era. Cox will be live in Hudson for the Festival.
Tickets can be purchased through Brown Paper Tickets online and are $10 a screening or $25 for all three with popcorn.
“Alex Cox’s Straight to Hell Returns is a slightly tweaked re-release of his 1987 cult-classic, punk rock, Spaghetti Western comedy, Straight to Hell. Cox, never a director to shy away from a challenge, co-wrote the script with Dick Rude, who also steps into the role of Willy, one of a trio of ne’er-do-wells that also include Simms (played by Joe Strummer) and Norwood, whose shoes are filled by Sy Richardson, a tremendously underappreciated actor who should be getting a cut of royalty checks from Samuel L. Jackson, whose cool, no-nonsense routine is very reminiscent of Richardson’s style, especially in this film. Also along for the ride is Courtney Love as Norwood’s pregnant girlfriend, Velma. Following an unseen bank robbery, our heroes quickly find themselves seeking refuge from the their criminal boss, Mr. Dade (Jim Jarmusch) in a dirty town straight out of any cheaply made Spaghetti Western of the 60s or 70s.” – DVD Talk
A hallucinatory biopic that breaks all cinematic conventions, Walker tells the story of nineteenth-century American adventurer William Walker (Ed Harris), who abandoned a series of careers in law, politics, journalism, and medicine to become a soldier of fortune, and for several years dictator of Nicaragua. Made with mad abandon and political acuity—and the support of the Sandinista army and government during the Contra war—the film uses this true tale as a satirical attack on American ultrapatriotism and a freewheeling condemnation of “manifest destiny.” Featuring a powerful score by Joe Strummer and a performance of intense, repressed rage by Harris, Walker remains one of Cox’s most daring works. – Criterion Collection
“Repo Man” is one of those movies that slips through the cracks and gives us all a little weirdo fun. It is the first movie I know about that combines (1) punk teenagers, (2) automobile repossessors, and (3) aliens from outer space. This is the kind of movie that baffles Hollywood, because it isn’t made from any known formula and doesn’t follow the rules. – Roger Ebert
About Featured Filmmaker, Alex Cox
Alex Cox is a British film director, screenwriter, actor, and nonfiction author noted for his idiosyncratic style and approach to scripts. His credits include Repo Man (1984), Sid and Nancy (1986), Straight to Hell (1986), Walker (1987), Highway Patrolman (1991), Revengers Tragedy (2002) and Searchers 2.0 (2007). He has worked in Nicaragua, Mexico, Spain, Holland, and Japan, and screened films in and out of competition at Venice, Cannes, Berlin, Tokyo, Rotterdam, Toronto and other festivals. His scripts and materials are archived at the National Media Museum in Bradford, England. He studied at Worchester College, Oxford; Bristol University; and UCLA, and he taught film production and screenwriting at the University of Colorado. Alex Cox has also directed documentaries (including a biography of Kurosawa and a homage to the Emmanuelle films), shorts, music videos, political election broadcasts, and stage plays. He is the author of two film-related books, X Films (about making ten of his independent features) and Ten Thousand Ways to Die (a chronological history of the Italian Western). He is working on a third film book, also about Westerns, and writes regularly for The Guardian and for Film Comment. He recently completed a documentary, Scene Missing (about the making of Dennis Hopper’s legendary unseen film, The Last Movie), and is preparing to shoot a feature adaptation of Harry Harrison’s science fiction novel, Bill: The Galactic Hero. Further info at www.alexcox.com
About Visiting Programmer, Mike Plante
Mike Plante has been a film festival programmer since 1993, including at CineVegas and Sundance since 2001. He started Cinemad Magazine in 1998 to cover experimental filmmakers and character actors. Cinemad continues today as a blog and podcast at IBlameSociety.com. As a producer he has helped make the short film series Lunchfilm (films made for the cost of a lunch) and Orbitfilm (shorts made with footage from NASA) and feature documentaries, including Scrap Vessel (2009), Be Like An Ant (2011) and the upcoming Giuseppe Makes A Movie (2014).
BasilicaScope digs into the visceral aspects of motion pictures by celebrating films that explore the furthest extremes—from remote landscapes, unconventional perspectives, fanatic personalities, radical examinations of film’s materiality, to the blood and emotion that create it. BasilicaScope presents extraordinary films during its weekend-long summer festival in a reclaimed 19th century factory. From lo-fi to hi-fi to sci-fi and nothing in between.
Last years’ Scope took place in July and included notable directors Charlie Ahearn, Jem Cohen, Denis Côté, and Deborah Stratman as well as Jacqueline Goss. Also in appearance was Gaby Hoffman who starred alongside Michael Cera in Crystal Fairy and the Magical Cactus (2013).
Programmed by Mike Plante, Sundance Film Festival programmer and founder of Cinemad, Basilica Hudson’s creative directors Melissa Auf der Maur and Tony Stone, and film curator Aily Nash, whose programs have screened at MoMA PS1, Brooklyn Academy of Music, and Anthology Film Archives.
Basilica Screening Series
BasilicaScope is a continuation of Basilica Hudson’s commitment to bring more film to Hudson, with a weekly film Screenings Series. Basilica Screenings is a film series that presents an array of works from new and repertory narrative features, documentaries, experimental films, video and media art, as well as guest curated programs, often with filmmakers and special guests in attendance for a discussion following the screenings. Programmed by Basilica Hudson’s film curator Aily Nash, and creative directors Melissa Auf der Maur and Tony Stone, Basilica Screenings runs from June through October.
BasilicaScope is presented in association with Rooftop Films.